Reviews

SPAM

1 day ago

(REVIEW) a “Working Life” by Eileen Myles

SPAM

Oct 15

(REVIEW) On Holiday in MONACO with Juliet Jacques

SPAM

Oct 8

(REVIEW) Incubating the Outside: Jackie Wang’s Feminine Epic

SPAM

Jul 23

(ESSAY) On The Ginny Suite by Stacy Skolnik (Montez Press, 2024) Courtney Bush

SPAM

Jul 16

(REVIEW) Sleepers Awake, by Oli Hazzard (Carcanet, 2024)

Vik Shirley

Mar 4

(REVIEW) Bubblegum Portents & Wax Cathedrals: Greg Thomas’s Candle Poems exhibition at Dunoon-MOCA and Poem Atlas collection

Charlie McIlwain

Feb 27

(REVIEW) purge fluid, by Ivy Allsop

Marguerite Carson

Feb 7

(REVIEW) Dyke Love, Ed. Parel Joy

Marguerite Carson

Jan 19

(REVIEW) Jesus Freaks, by Suki Hollywood

Amy Grandvoinet

Dec 15, 2023

(REVIEW) Fruits of the Usufruct: fred spoliar’s goodlands, by Amy Grandvoinet

Andrew Spragg

Dec 13, 2023

(ESSAY) Filming with Namida Red, by Andrew Spragg

Lottie Walker

Oct 6, 2023

(REVIEW) Remember How Much You Loved Bugs?: Lovebug, by Daisy Lafarge

Lou Collins & Caspar Bryant

Aug 29, 2023

(REVIEW) Tenderloin, by Al Anderson

Alex Grafen

Aug 22, 2023

(REVIEW) Enemie Anonimous, by Paul Ingram

Enxhi Mandija

Aug 8, 2023

(REVIEW) Coast close: Cascadence, by Sara O'Brien

Maria Sledmere

May 2, 2023

(REVIEW)‘My god, girlhood’: on Savannah Brown’s Closer Baby Closer

Ben Philipps

Mar 17, 2023

(REVIEW) Diclinous Think Junk: Terra Forming, by Chloë Proctor

Rowland Bagnall

Mar 3, 2023

(REVIEW) The Clichés, by Ben Lerner & R.H. Quaytman

William Kherbek

Feb 24, 2023

(ESSAY) Posthuman, All Too Human, by William Kherbek

Marguerite Carson

Jan 27, 2023

SPAM

zine&Press

a post internet poetry endeavour

(REVIEW) a “Working Life” by Eileen Myles

(REVIEW) On Holiday in MONACO with Juliet Jacques

(REVIEW) Incubating the Outside: Jackie Wang’s Feminine Epic

(ESSAY) On The Ginny Suite by Stacy Skolnik (Montez Press, 2024) Courtney Bush

(REVIEW) Sleepers Awake, by Oli Hazzard (Carcanet, 2024)

(REVIEW) Bubblegum Portents & Wax Cathedrals: Greg Thomas’s Candle Poems exhibition at Dunoon-MOCA and Poem Atlas collection

(REVIEW) purge fluid, by Ivy Allsop

(REVIEW) Dyke Love, Ed. Parel Joy

(REVIEW) Jesus Freaks, by Suki Hollywood

(REVIEW) Fruits of the Usufruct: fred spoliar’s goodlands, by Amy Grandvoinet

(ESSAY) Filming with Namida Red, by Andrew Spragg

(REVIEW) Remember How Much You Loved Bugs?: Lovebug, by Daisy Lafarge

(REVIEW) Tenderloin, by Al Anderson

(REVIEW) Enemie Anonimous, by Paul Ingram

(REVIEW) Coast close: Cascadence, by Sara O'Brien

(REVIEW)‘My god, girlhood’: on Savannah Brown’s Closer Baby Closer

(REVIEW) Diclinous Think Junk: Terra Forming, by Chloë Proctor

(REVIEW) The Clichés, by Ben Lerner & R.H. Quaytman

(ESSAY) Posthuman, All Too Human, by William Kherbek

(REVIEW) Virgins, by Jesse Darling

welcome to the
http:// SPAM Plaza .exe

(REVIEW) a “Working Life” by Eileen Myles

(REVIEW) On Holiday in MONACO with Juliet Jacques

(REVIEW) Incubating the Outside: Jackie Wang’s Feminine Epic

(ESSAY) On The Ginny Suite by Stacy Skolnik (Montez Press, 2024) Courtney Bush

(REVIEW) Sleepers Awake, by Oli Hazzard (Carcanet, 2024)

(REVIEW) Bubblegum Portents & Wax Cathedrals: Greg Thomas’s Candle Poems exhibition at Dunoon-MOCA and Poem Atlas collection

(REVIEW) purge fluid, by Ivy Allsop

(REVIEW) Dyke Love, Ed. Parel Joy

(REVIEW) Jesus Freaks, by Suki Hollywood

(REVIEW) Fruits of the Usufruct: fred spoliar’s goodlands, by Amy Grandvoinet

(ESSAY) Filming with Namida Red, by Andrew Spragg

(REVIEW) Remember How Much You Loved Bugs?: Lovebug, by Daisy Lafarge

(REVIEW) Tenderloin, by Al Anderson

(REVIEW) Enemie Anonimous, by Paul Ingram

(REVIEW) Coast close: Cascadence, by Sara O'Brien

(REVIEW)‘My god, girlhood’: on Savannah Brown’s Closer Baby Closer

(REVIEW) Diclinous Think Junk: Terra Forming, by Chloë Proctor

(REVIEW) The Clichés, by Ben Lerner & R.H. Quaytman

(ESSAY) Posthuman, All Too Human, by William Kherbek

(REVIEW) Virgins, by Jesse Darling

welcome to the http:// SPAM Plaza .exe

welcome to the
http:// SPAM Plaza .exe